Soul War Script
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Soul War Script
Like most cultures, Vietnamese culture includes beliefs and rituals that show respect for the dead. Vietnamese culture calls for a proper burial and it is believed that if this does not occur, the soul of the deceased continues to wander the earth thus becoming a "Wandering Soul," equivalent to a ghost or spirit.
It is the Vietnamese belief that the dead must be buried in their homeland, or their soul will wander aimlessly in pain and suffering. Vietnamese feel that if a person is improperly buried, then their soul wanders constantly. They can sometimes be contacted on the anniversary of their death and near where they died. Vietnamese honor these dead souls on a holiday when they return to the site where they died. The U.S. used this to their advantage and tried to trick the Viet-Congs into leaving by playing the audio recording of their dead friends wandering around.
To the Viet Cong soldiers hiding in blackness beyond the American perimeter, these otherworldly noises sounded like the wandering souls of departed comrades. According to local folklore, the sprits of the dead that were not returned home for proper burial were cursed to walk the earth in torment until their remains were found and properly interred. Vietnamese legends held that on the anniversary of the death of one of these lost souls, a spiritual channel between our world and the afterlife opens making communication possible.
 My friends, this election is about more than who gets what. It is about who we are. It is about what we believe, and what we stand for as Americans. There is a religious war going on in this country. It is a cultural war, as critical to the kind of nation we shall be as was the Cold War itself, for this war is for the soul of America. And in that struggle for the soul of America, Clinton & Clinton are on the other side, and George Bush is on our side. And so, to the Buchanan Brigades out there, we have to come home and stand beside George Bush.
Infinity War screenwriters Stephen McFeely and Christopher Markus have revealed that Chris Pratt and James Gunn made a pretty big change to the script that helped the story along. This isn't the first time that James Gunn has been credited to some of the more heavy use of the Guardians of the Galaxy in Infinity War. The Russo Brothers have said that the director was a great help while making the movie, even offering up a list of songs to choose from while introducing the characters on the screen for the first time. There are SPOILERS for Avengers: Infinity War below, so read ahead at your own risk.
The Russo Brothers, along with Stephen McFeely and Christopher Markus, had a lot of collaboration to tend to in order to get all of the movies working together. When asked who had actually seen Infinity War before the world premiere, the Russo Brothers admitted that only fellow Marvel Cinematic Universe directors had access as to help their storytelling processes for the future of the MCU. It seems that there were some more elements that the Russo Brothers had help with in Infinity War that should come to light soon. You can read more about the ending of Infinity War and some of the script changes via BuzzFeed.
Tuồng (also calledHát bội) is a formof traditional theater that was widespread incentral and southern Vietnam from the eighteenthcentury onward, reaching the height of itspopularity in the nineteenth century. It began todecline in popularity in the early twentiethcentury, partly owing to the appearance of Cải lương (Reformed theater)in the 1920s and, later, the introduction of otherforms of entertainment such as popular music andcinema. From a comparative perspective, Tuồng is a subgenre withintraditional East Asian drama along with traditionalChinese dramatic genres such as Yueju 粵劇 (Cantonese Opera) and Chaoju 潮劇 (Chaozhou Opera)as well as Japanese Noh 能 (Noh theater). The scripts ofclassic Tuồng arewritten in (chữ)Nôm (?) 喃, thelogographic writing system of the Vietnameselanguage, which dates back to the fourteenth centuryat the latest and was used until the early twentiethcentury. Some of the themes in Tuồng plays are of indigenous origin andinvolve the transformation of local sources such asfolktales and legends of the supernatural, but otherplays display foreign literary influences from Mingand Qing historical fiction, Chinese scholar-beautyromance novels, French novels, as well as Chineseand Indian religious (mainly Buddhist) tales.
Yhwach (ユーハバッハ, Yūhabahha), known as the "Sealed Quincy King" (滅却師の封印王, Kuinshī no Fūinō; literally "Sealed King of the Monks of Destruction") in ancient lore, is a male Soul that was born as the son of the Soul King. Originating as a Seraph born of the progenitor god, Amenominaka, the remnants of that Seraph's torn soul was found by the left arm of the King of Souls, and would be reincarnated as the individual that would become known as Yhwach. As an infant, he suffered from complete sensory deprivation, perhaps due to the unusual circumstances surrounding his conception, but bore a strong will to live. People gathered around the strange infant for his soul possessed the power to heal the sick and perform miracles, but in return for the wonders he brought them, he would receive their souls upon their premature deaths and use those spirits to strengthen himself. Yhwach is the progenitor of all Quincy, meaning that his blood flows through them all, and had grown to become a leader among his people; having been addressed by his followers as "your majesty" (陛下, heika). With his power and authority, the monarch sought to conquer the territories around him, establishing his kingdom which would be known as Lichtreich. However, in a failed invasion of the Soul Society with his band of Sternritter over a thousand years ago, he hid within the shadows of Seireitei along with his followers, where the Wandenreich would be born in place of his fallen kingdom. The Quincy waited for a thousand years until they would follow their King in another endeavor to conquer the Soul Society, an event which would come to be known as the Thousand-Year Blood War. As it turned out, the prophecy surrounding Yhwach spoke of these events coming to pass, for after nine hundred years, the Sealed Quincy King shall recover his heartbeat. After ninety years, he shall recover his intellect. After nine years, he shall recover his power. And over nine days, he shall recover the world. Yhwach would eventually go on to absorb the Soul King, integrating its divine power into his very own, thus transcending his mortality and becoming a true God.
He was treated as a treasure by the village around him due to those people being able to attain the things they were missing inside them if they touched him. This was possible because the child had the power to distribute his soul. When someone touched the baby, they would get a piece of his soul, and the wounds that would not heal with one soul would finally heal. When the person died, all their experience, skills, and knowledge would return to the baby via the piece of his soul that they possessed. The ones that touched the baby didn't last long but it didn't stop people from gathering around it. Every time one of the pieces of its soul came back, his senses awakened little by little. It was when he gained the sense to hear he finally was able to hear the curious name he was called and understood it was the name of a god people worshiped and decided to make it his own name, "YHWACH". From that point, he went about life on his own, never knowing of his lineage.
Yhwach was born with the innate ability to distribute a piece of his own soul onto those that would come into contact with him. In doing so, that which people lacked which could not be obtained through the strength of a single soul was finally within grasp. Those with diseases found themselves completely recovered, missing and damaged limbs would regrow in their entirety, and other miracles were all within possibility. This power healed the the physical, mental and spiritual aspects of all those who touched him. While the wound of a person healed, all their knowledge, the skills they earned with effort, and their talents, among other attributes, would be engraved and integrated into the soul fragment they received from him. Once those that had acquired a part of Yhwach's soul had died, that piece of the soul and everything imbued into it would return to his original soul. Those healed in this way didn't last long; be it a few years, months or even in a number of days. In turn, little by little, Yhwach would gain the usage of his dormant senses. While all Quincies have the power to collect reishi from their surroundings to make it theirs, Yhwach and his siblings are the only ones that can do the opposite. Every time he regains a piece of his soul, he becomes stronger and lives longer. If he doesn't continue absorbing these souls, he will eventually revert to his original state of total sensory deprivation. It is during his slumber that Yhwach returns to the position of "Father of the Quincy" and stores his power. It is for this reason that no one is allowed to disturb his sleep.
Schrift (聖文字 (シュリフト), Shurifuto; German for "Script", Japanese for "Holy Letter"): Yhwach eventually discovered a more powerful way distribute his soul instead of mere touch. He is capable of directly carving the "initial" of a power inside the other person's soul, he could distribute a more deep and strong part of his soul. He facilitates this through a specific ritual which involves having others drink his blood. The name given to the letters of the alphabet bestowed to select individuals within the Wandenreich by Yhwach in order to designate them. The exact letter given corresponds to an appropriate epithet reflecting the nature of the person's particular ability which they were granted. 041b061a72